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Tuesday, October 14, 2014

Science Writing and Sensationalism

Now don’t get me wrong: I very much respect doctors and those in the medical field, and I think their life-saving work is noble indeed. However, I long ago gave up the disillusioned idea that doctors “know it all” because medical studies supposedly provide “all the solutions” to health problems we seek. One of my siblings has very severe food and environmental allergies; just her food allergies alone include: dairy products, eggs, gluten, soy, peanuts, tree nuts, fish, beef, pork, mustard, yellow corn, kiwi, and asparagus (as far as I know). And out of the many, many doctors she has seen, very rarely will two agree even on the type of allergy treatment or dietary supplements she should take. And yet, although I don’t believe in the omniscience of doctors, David Freedman’s “Lies, Damned Lies, and Medical Science” about the credibility—or lack thereof—of medical research still threw me for a loop.

According to Freedman, meta-researcher John Ioannidis has statistically discovered that “much of what biomedical researchers conclude in published studies…is misleading, exaggerated, and often flat-out wrong” (114). On one hand, especially after reading his entire article, one might conclude that Freedman’s statement seems to make sense, especially when reading an article like Malcolm Gladwell’s “The Treatment.” Freedman points out that false publications can result from the researcher’s desire for more funding; thus, we may have reason for suspicion after reading Gladwell’s account of the “miracle-drug” elesclomol discovery which saves Synta Pharmaceuticals in 2006 and provides inquiry for further research (159, 175). Gladwell’s quote from cell biologist/drug researcher Lan Bo Chen, who basically admits that they “are totally shooting in the dark” (173), also does not instill our confidence in the reliability of one of medicine’s supposedly top-notch lines of research: “in some cases you’d have done about as well by throwing darts at a chart of the genome” (Freedman 121).

On the other hand, we could be skeptical even of Freedman’s article itself. After all, Jeanne Fahnestock explains in her paper, “Accommodating Science: The Rhetorical Life of Scientific Facts,” something changes in the translation from original scientific findings to the science news articles that laypeople could understand. That “something” is the shift from uncertainty (or at least heavily-hedged claims) to a low-supported certainty of specific results or hypotheses. To roughly summarize her paper, this shift in apparent confidence of fact occurs because of the journalist’s need to sensationalize the news to capture reader attention. Although The Atlantic, the magazine Freedman writes for, is deemed a high-quality intellectual read, it nonetheless is not specifically a science journal. The very flaws Fahnestock associates with “scientific accommodation” may very well be present in Freedman’s representation of the work of John Ioannidis.


I realize that sensationalism basically refers to something used to excite or thrill the senses. However, I think sensationalism in science writing results from using Fahnestock’s “the wonder” and “the application” appeals (279)—essentially, “how is this interesting” and “why does it matter”—in conjunction with each other. We see this especially in the readings from The Best American Science and Nature Writing this week: for example, in “The Deadliest Virus,” Michael Specter writes, “One of the world’s most persistent horror fantasies, expressed everywhere from Mary Shelley’s Frankenstein to Jurassic Park, had suddenly come to pass: a dangerous form of life, manipulated and enhanced by man, had become lethal” (136). “The wonder” appeal: one of our worst nightmares has scientifically been produced. “The application” appeal: we’re all screwed. Though the problem of a possible pandemic is no doubt real, if we do a little digging, we most likely will discover that Specter’s writing sounds a little over-the-top compared to scientific reports and statements written by the scientists themselves (not the quotes given through phone conversations). Sensationalism in science news writing loses some of the accuracy (though Freedman would oppose this term) found in the original scientific reports, but it also effectively captures the public’s attention and stimulates funding for further research. Which is the higher priority?
  

2 comments:

  1. Hi Sadie,

    Your first paragraph reminded me of something that recently took a test on in my psychology class. We learned about this concept called “inductive reasoning.” The definition in my book says: “inductive reasoning: using specific ‘facts’ to form a general conclusion or general principle” (43). For example if you go to the doctor with symptoms that point to a type of cold, the doctor may tell you that you have the common cold. However, the reason why it’s general is because they don’t know for sure and are making an estimate based on those symptoms. Those symptoms could just be influenza for all they know. All in all, that general conclusion in this case is also their hypothesis for what is going on with that person. Now, I haven’t yet read Freedman – I’m saving his for after I respond to these posts – but I don’t believe credibility is an issue. I think it’s more about interpretation and certainty since no one really knows for sure what’s going on, but they’re just making their best educated guess on what they think is going on based on the knowledge/experience that they have. (e.g hypothesis)

    I think it’s fascinating how not only are the medical & psychology fields not certain about their theories, but we as writers aren’t certain about things as well. For example, we debated about what makes something entertaining to a reader in class and how no one was really knew for sure what a profile looked like, but trudged forth with it anyway. However, for our profiles I guess you could say that what we turned in to Doug was our hypothesis and whether or not he liked it would prove whether our hypothesis was correct. Perhaps as writers we’re taking a chance that the majority of our primary and secondary readers won’t like what we write, but I think there is always a chance that someone out there will like what we write. (but we can’t be certain of that either because we’re not in everyone’s heads)

    Here’s a prime example of that interpretation in writing: https://www.fanfiction.net/s/3717133/1/Cat-and-Dog

    Now, if you read the reviews for that story (click on the number "28" by "reviews"), you’ll find that people either hated it or thought it was hilarious. I’m not honestly not sure who their primary audience is, but I sorta kinda think they may be trolling just to get a reaction from people (mainly because they wrote their summary so well and so that lead me to think that they tried to bait people to read their story, but I don't know for sure).

    Also, reading this post makes me want to have a discussion about the distinction between reliability and accuracy because those are two different things in psychological (and perhaps other kinds of) research, but I think I’ll save that for after I’ve read Freedman and Gladwell so I have a better context :). – I may make a follow up blog post this week. We’ll see.

    Anyway, sorry for this long post, but I hope it made sense and wasn’t too much for you to read!

    Thank you,

    Kelly Kinney

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  2. Sadie, I like this post. I’m particularly interested in your last paragraph because it brought me back to the one aspect of Fahnestock’s article that keeps coming up in my head. On the bottom of 281 she explains why the methods are different for conveying information to a specialized audience (readers of science journals) versus a lay audience (readers of popular nonfiction). The writers (scientists for the first, journalists for the second) have the same goal of engaging the reader. Scientist-authors want to indicate the “validity of their observation[s]… the rarer the phenomenon is, the harder their job.” Meanwhile, the accommodator wants the reader to “marvel at something,” and therefore has to indicate the uniqueness of the discovery.

    Science writer and scientist: though you may be friends with similar goals, here you have reached an impasse. Your audience dictates how you portray your material – one audience wants to see something rare, the other sees rarity as a red flag.

    To some extent I think you’re right that the bottom line is sensationalism (and who needs to sensationalize); that’s probably the most succinct way of discussing it. Still, this section of Fahnestock’s article makes me think that the issue goes somewhat deeper. Sensationalism seems superficial in a way that this explanation resists.

    Liam

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